The main weakness of the low-budget, 1 hour, 43-minute film is the absence of the artist’s paintings (the producers clearly couldn’t afford reproduction rights). Regis Hotel in New York City at $20,000 a month).Īnd he doesn’t blink at the knowledge that endless prints of his works are criminally being peddled at extraordinary prices as lithographs. “Dalí is almost God”) and self-indulgent (he rents space at the St. Rather, he’s annoyingly egocentric (“I do not compare myself to God,” he pontificates. In Dalíland, the artist doesn’t come off as the least bit likeable. Kingsley, of course, won a best actor Oscar for his title role in 1982’s Gandhi. She also directed The Notorious Bettie Page, about the famous nude pinup subject. In 1996, her first feature film, I Shot Andy Warhol, depicted a wannabe assassin as a feminist hero. Her work-life began as a punk music journalist, immediately integrating oddball characters into her sphere of influence. Harron may have been a superb choice for the biopic. That stands as a touch of foreshadowing to a deep dive into the artist’s darker aspects - to wit, the scene quickly shifts to a party in which Dalí focuses on Amanda Lear, a trans, and Alice Cooper, a friend. When Dalí answers affirmatively about being a leading man, panelist-columnist Dorothy Kilgallen smoothly chastises him with the comment, “He’s a misleading man.”
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The movie’s point of view stems from neither Dalí nor Gala, though - we see the one-of-a-kind genius through the eyes of James, a Dalí acolyte-sycophant then fighting to un-immerse himself from the artist’s destructive lifestyle filled with ostentatious fame, bizarre parties, and erotica.Ĭanadian director Mary Harron starts Dalíland with an astute bit of character self-assassination, a clip of Dalí’s hysterically funny appearance on the TV game show What’s My Line? in which he answers every question with a “yes” even if it’s totally inappropriate and must be corrected by emcee John Daly. Salvatore Dali in his studio is portrayed by Ben Kingsley. Gala, in fact, is constantly chasing her youth by bedding down with one of her boy toys, the latest being the actor then starring in the lead role of Broadway’s Jesus Christ Superstar.ĭalí, meanwhile, is relegated to voyeurism, which he apparently prefers anyway. The film’s focus is on Dalí’s final years, when his octogenarian relationship with his older, tyrannical wife and muse, Gala, is disintegrating because, as one character contends, they no longer like being with one another since it reminds them “that they’re old.” Ben Kingsley, as Salvador Dali, is clearly ready for his close-up.
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Kingsley also alternates Dalí’s comic and tormented turns rather well. In fact, the actor plays all the famed Spanish surrealist artist’s extreme aspects rather well in the new movie Dalíland. Sir Ben Kingsley, as Salvador Dalí, portrays crazy rather well.
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